It’s hard to say really much about Debarge without mentioning that they were one of the few definitive R&B acts of the 1980′s. Debarge is not so much about the hits they had as much as it was about the the sensibilities that they had tried to project: the shy honest guy wanting the girl, the wholesome fun that supposedly would be found just around the corner, that love could still be real and romantic, and so on. The sounds that Debarge had in their songs really capture a portion of the charms of 1980′s American pop music and also reflect the ideals, and I’m willing to dare say even fantasies, that were part of the zeitgeist of the times.
Although the thing that I find a bit annoying, and maybe even tragic, is the ongoing nature of the songs themselves and the way it conveys that there is supposed possibility to find warmth in some shiny and cold world. This can be immediately seen reflected in the very instrumentality of the music: the sounds of the synthesizers and over slicked production being taken on by the organic melodies of the voices of the lead and chorus; quite like the feeling of a warm zephyr midst a cold winter night near the ocean side.





